Annual International Conference on Visual and Performing Arts
Edmundo Cordeiro took part in the 9th Annual International Conference on Visual and Performing Arts, 11-14 June 2018, Athens, Greece, Cinema section, with the talk “The elevator scene in ‘Horse Money’: the sound-image”.
He also took part in the ATINER’s 2018 Series of Academic Dialogues – A Symposium on Teaching Arts & Culture in a Global World with the presentation of an editing entitled “Some notes about the masters and bachelor degrees in film, Universidade Lusófona, Lisbon”.
Edmundo Cordeiro is Associate Professor and currently Professor of Theory and Aesthetics of film.
He holds a Ph.D. in Communications Sciences and did post-doctoral studies on the work of Canadian and Portuguese filmmakers, namely Pierre Perrault and Pedro Costa.
Among other publications, he is the author of «Actos de Cinema» [Acts of Cinema], on the film aesthetics of the French philosopher Gilles Deleuze, and of the book «Pedro Costa e Pierre Perrault».
Edmundo Cordeiro directed the film «Todas as Cartas de Rimbaud» [‘All Rimbaud’s Letters’] (about the Portuguese philosopher Maria Filomena Molder, premiered at Doclisboa’17), and was script-doctor of the fiction film «O Capacete Dourado» [‘The Golden Helmet’], screenwriter of «Na Escola» [‘At School’], «O Rebocador» [‘The Tow Truck Driver’], and «Amor Amor» [‘Love Love’], all directed by Jorge Cramez (2007, 2010, 2014 and 2016).
Presently, he works on the film projects «Tentação, Cabeça e Coração» [‘Temptation, Head and Heart’], «Rebuçados Venezianos» [‘Venetian Candy’].