Érica Faleiro Rodrigues

Faleiro Rodrigues is a filmmaker, curator and lecturer. She holds a BA in Film and Vid-eo (Directing) by the University of the Arts London and an MA in Television Drama (Di-recting) by Goldsmiths. She is a PhD candidate at Birkbeck, University of London. Her work as a filmmaker granted her a Skillset Millennium Fellowship Award for a series of documentaries on the role of art in the life of refugees. Amongst various roles in the film and television industry, she worked as assistant editor for the BBC series Storyville. She has taught both in the UK and Portugal, and has designed and taught film history, film practice and the history of film censorship courses at Nova’s Summer School. She was film curator at the Barbican Arts Centre, collaborating with Mike Leigh, Emir Kusturica, John Malkovich, and Kazuo Ishiguro, amongst others, and curating numerous exhibi-tions and installations by filmmakers and visual artists. She is founding director of UTOPIA – UK Portuguese Film Festival, supported by Instituto Camões, last year cele-brating its 11th edition. In 2017 she created Underscore, a festival of music, sound, moving image and archive. Faleiro Rodrigues’ research has recently focused on the Audiovisual Essay, around which theme she organised a symposium in Lisbon in 2019. In 2020 she secured a grant from ICA in Portugal to direct a documentary on Portu-guese pioneer women filmmakers.

É coordenadora do grupo de trabalho Cinema, Música e Linguagem da Associação de Investigadores da Imagem em Movimento (AIM).

Contact: erica.rodrigues@ulusofona.pt

Ciência ID 751E-5049-2AFA

Publications:

Book Chapters

Rodrigues, Érica Faleiro. “Paradigms – Women Filmmakers in 1970s Revolutionary Portugal – Delgado, Nordlund, Cordeiro and Serra”. In Women inIberian Filmic Culture. A Feminist Approach to the Cinemas of Portugal and Spain. Bristol, United Kingdom: Intellect Books, 2020.

Rodrigues, Érica Faleiro. “Representations of Sexuality and Gender in Portuguese Cin-ema During the Late Estado Novo and the Carnation Revolution”. 121-136. New York, United States: Bloomsbury Academic, 2016.

Rodrigues, Érica Faleiro. “Post-Revolution and Cinema outside the Cities – Gender Rep-resentation in Portuguese Cinema of the Late Seventies”. In AVANCA / CINEMA 2016, edited by Valente, António Costa; Capucho, Rita, 729-732. Avanca, Portugal: Cine-Clube de Avanca, 2016.

Journal Article

Rodrigues, Érica Faleiro. “Between Narcissism and Repression The Castration of Fe-male Desire in Portuguese Film – Julia Kristeva and Abjection, the 1974 Revolution, The Siege and Dina and Django”. In Journal of Philosophy and the Moving Image 5 (2014): 65-84.

Comités Científicos de Conferências:

2019/12/04 – 2019/12/06
Contemporary Portuguese Image and Censorship
King’s College London – Faculty of Arts and Humanities, United Kingdom

2019/09/26 -2019/09/26
O Ensaio Visual na Era Digital -Investigação, pedagogia e artivismo
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

2019/05/09 -2019/05/10
Conference: The Creative Process in Portuguese Film: Materialities conference King’s College London – Faculty of Arts and Humanities, United Kingdom

2018/09/22 -2018/09/22
Reflexes of Japanese Culture in Portuguese Cinema
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

2018/04/16 -2018/04/16
I Encontro de História Oral do Cinema Português
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

2017/11/13 – 2017/11/14
From Text to Screen and Back to TextFilm and Literature: The Portuguese Context
King’s College London – Faculty of Arts and Humanities, United Kingdom

 

Support and Partners

Universidade Lusófona
Universidade Lusófona do Porto
ECATI
FCAATI
FCT
FNAC

Institutional Membership

ECREA
CILECT
SOPCOM
ELIA
Iamcr

Get in touch:

Campo Grande, 376, 1749 - 024 Lisboa | Phone: 217 515 500 | Fax: 21 757 7006