Editor: Luis Cláudio dos Santos Ribeiro
Foreseen Release: February 2022
PT
Os Estudos do Som são uma área em desenvolvimento um pouco por todo o mundo. A possibilidade de ter acesso ao real a partir de outro sentido, a audição, realiza pontes e passagens importantes para a identidade de um território e a fundação de um lugar de pertença, importante para as comunidades.
Neste livro, em diferentes capítulos e autores, desenvolve-se as relações da audição e do som com o meio envolvente e com a produção sonora para os media e as artes. Aprofundar estas relações tornou-se hoje uma urgência que os investigadores editados neste livro aceitaram.
EN
The Sound Experience: From Linearity to Circularity
Sound Studies is a developing scientific domain all over the world. The possibility of having access to reality from another sense, hearing/listening, creating bridges and passages that are important to identity a territory and the foundation of a place of belonging, important for communities.
In this book, through the different texts and authors, the relationships between hearing/listening and sound with the surrounding environment and with sound production for the media and the arts were developed. Deepening these relationships has today become an urgency that the researchers published in this book have accepted.
Introduction and revisitation of the work, by the editor Luís Cláudio Ribeiro
1st Chapter - THE SOUND AND THE VOICE: A THEORY OF EXPERIENCE, Luís Cláudio Ribeiro (ULHT).
2nd Chapter: THE RADIO AND THE COMMUNITY: IDENTITIES, Jorge Bruno Ventura (ULHT).
3rd Chapter: A MODEL FOR SOUND ART ANALYSIS, Adriana Sá (ULHT).
4th Chapter: THE COMPOSER IN FRONT OF SOUND REALITY, Gonçalo Gato (ULHT).
5th Chapter: LISTENING ACTS: SOUND ART, FROM NOISE TO ECOLOGY, Raquel Castro (ULHT).
6th Chapter: ILLUSIONS OF IMMERSION: INFODEMY, SIMULATION, HYPERREALITY AND ARTIFICIAL INTELLIGENCE, João Manuel Carrilho (ULHT).
7th Chapter: WHAT SOUND PERCEPTION TEACHES US ABOUT THE OTHER SENSES, Mohammed Boubezari (ULHT).
8th Chapter: CINEMA AND AUDIOVISUALS: TECHNOLOGICAL CHANGES AND (NEW) PERSPECTIVES IN THE ARTICULATIONS MUSIC AND IMAGE, António Sousa Dias (ESBAL-UL).
9th Chapter: AURAL ARCHITECTURE: RESSON NCIES BETWEEN PLACES AND ECOSYSTEMS, Cláudia Martinho (ICS-CECS, University of Minho).
Chapter 10: CINEMATIC SOUND AESTHETICS: A RUPTURE OF DIEGETIC THEORY, David Novack (ULHT).
Chapter 11: The presentation of oneself: the voice as a medium, José Gomes Pinto (ULHT).