Universidade Lusófona Universidade Lusófona do Porto

Vol. 4 No. 1 (2020)

Publication: December 2020 

CONTENTS

INVITED ARTICLES

PROTECTING AND EXPLOITING PHOTOGRAPHY THROUGH INTELLECTUAL PROPERTY IN THE LONG NINETEENTH-CENTURY BRITAIN
Michael Pritchard

THE STEREOSCOPIC NEGATIVES  BY J. LAURENT. PORTUGAL VIEWS IN THE YEAR OF 1869
Carlos Teixidor-Cadenas

ILUSÕES IMPRESSAS PARA UM LEITOR-ESPECTADOR NO BRASIL OITOCENTISTA: VISTAS E GRAVURAS NAS MARMOTAS DE PAULA BRITO
Bruno Guimarães Martins

ARTICLES

SLAVE TO THE RHYTHM EXAMINING IMMERSIVE EXPERIENCES THROUGH THE INTERPLAY OF MUSIC AND GAMEPLAY IN ‘CRYPT OF THE NECRODANCER’
Bradley Kagan

GLOBAL WARMING – THE HISTORICAL PHOTOGRAPHIC EVIDENCE 
Peter D. Blair

STEREOSCOPY ON THE SILVER SCREEN: THE ANALYTICON AND EARLY CINEMA IN EDINBURGH, SCOTLAND 
Stephen McBurney

STEREOSCOPY’S IMPACT ON THE MAKING OF DIGITAL VISUAL EFFECTS IN FILMS
Esther Jacopin

EXPERIENCE DESIGN FOR VIRTUAL REALITY. FROM ILLUSION TO AGENCY
Volker Kuchelmeister

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