Cyanotypes - Strategic Skills for creative futures
Status
Ongoing
Acronym
Cyanotypes
Project Reference
101056314-CYANOTYPES-ERASMUS-EDU-2021-PI-ALL-INNO
Start
2022-08-31
End
2026-08-31
Funding Total
5.000,00 €
Leading Partner
Hbks – Saar University Of Fine Arts
Consortium
- Hbks – Saar University Of Fine Arts
- Uaav – University Of Applied Arts Vienna
- All Digital Aisbl
- Cike – Creative Industry Košice
- Eq-arts
Leading Partner
Hbks – Saar University Of Fine Arts
Collaborators
- Hbks – Saar University Of Fine Arts
- Uaav – University Of Applied Arts Vienna
- All Digital Aisbl
- Cike – Creative Industry Košice
- Eq-arts
Participants
- Margarida Santos
Project Manager - Rita Grácio
CoPI - Manuel Damásio
PI
- PAULO JORGE QUARESMA FERREIRA
Researcher - Benilde Reis
Researcher - ÉRICA DANIELA PEREIRA DO NASCIMENTO VALENTE LOURENÇO FALEIRO RODRIGUES
Researcher - Timóteo Rodrigues
Researcher - ANDRÉ RUI NUNES BERNARDES DA CUNHA GRAÇA
Researcher - Amanda Cei
Research Assistant - ALEXANDRA ISABEL CRUCHINHO BARREIROS
Researcher
Project Manager
CoPI
PI
Researcher
Researcher
Researcher
Researcher
Researcher
Research Assistant
Researcher
ANTICIPATING CREATIVE FUTURES
CYANOTYPES brings together a wide variety of organisations, stakeholders, and European networks to address the needs and skills gaps in the Cultural & Creative Industries. Based on innovative multidisciplinary approaches, CYANOTYPES tackles the sector’s potential for innovation and competitiveness, which deals as well with challenges presented by, among others, COVID-19, the digital transition, and the green shift.
The project title* references the iron-based photographic process that led to the term “blueprint” we know today. Inspired by this key moment of innovation, CYANOTYPES sees in this very practice an exemplary episode from the pre-digital archive of arts-and-technology experimentation that inspires creators to this day. Invoking a pre-digital technology, CYANOTYPES cautions that “the digital” is itself in a moment of transition, offering us new possibilities and perspectives. While we anticipate growing roles for AI, Big Data, and synthetic content generated by data-driven systems in the immediate future, we also see the need to imagine multiple futures on which innovation in CCI education depends.
CYANOTYPES brings together a wide variety of organisations, stakeholders, and European networks to address the needs and skills gaps in the Cultural & Creative Industries. Based on innovative multidisciplinary approaches, CYANOTYPES tackles the sector’s potential for innovation and competitiveness, which deals as well with challenges presented by, among others, COVID-19, the digital transition, and the green shift.
The project title* references the iron-based photographic process that led to the term “blueprint” we know today. Inspired by this key moment of innovation, CYANOTYPES sees in this very practice an exemplary episode from the pre-digital archive of arts-and-technology experimentation that inspires creators to this day. Invoking a pre-digital technology, CYANOTYPES cautions that “the digital” is itself in a moment of transition, offering us new possibilities and perspectives. While we anticipate growing roles for AI, Big Data, and synthetic content generated by data-driven systems in the immediate future, we also see the need to imagine multiple futures on which innovation in CCI education depends.
Erasmus +